How To Make Love To A Woman 2010
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| Presentation: Aspect Ratio: i.78:i/16x9 Audio: English Dolby Digital 5.i English Dolby Surroundings 2.0 Subtitles: English Closed-captioned Supplements Subtitles: English language Runtime: 91 minutes Bonus: |
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| Reviewed by Colin Jacobson (July xv, 2010) MADtv alumnus Josh Meyers gets a shot at a movie leading role via 2010�s How to Brand Beloved to a Woman. Record label A&R man Andy Conners (Meyers) seems to have a groovy relationship with his girlfriend Lauren (Krysten Ritter). Withal, one nighttime after sex, Lauren sighs � and Andy doesn�t hear it equally a sign of satisfaction. This sends him into a tizzy of self-uncertainty � and exploration of how to fix the state of affairs. He consults with his pal Layne (Eugene Byrd) and others every bit he tries to figure out how to make Lauren happy. In the concurrently, Lauren deals with her own questions, a path that might lead her back to an old childhood crush (Ian Somerhalder) and away from Andy. Early in the movie, one woman describes her boyfriend�southward lovemaking skills as "pretty decent"; she defines this every bit a lilliputian meliorate than "okay". That sounds similar a pretty skilful designaton for Honey, every bit information technology offers a perfectly competent little comedy but non anything more memorable than that. The film definitely wears its influences on its sleeve. At starting time, I thought Love offered an update on Woody Allen, which is true � except it�s Woody Allen every bit interpreted through the filter of Rob Reiner and When Harry Met Emerge . Some scenes � similar one in a diner � show a direct Emerge influence, and the use of splitscreen "testimonials" also hearkens back to the Reiner hit. You lot�ll also find a Kevin Smith feel here, along with the requisite Star Wars reference. This doesn�t make Love a clone, but it also doesn�t mean that it provides an especially scintillating affair. On the positive side, the film proves to be less smutty than expected. I anticipated a raunchy sex romp, but the end result becomes more of a relationship film. The characters aren�t quite three-dimensional, just they�re closer than one would think, and the film�s tone goes closer to drama than the American Pie wannabe I thought I�d become. Honey likewise features a fairly proficient cast. This won�t go a breakout vehicle for Meyers � has a direct-to-video motion picture e'er actually bolstered anyone�s career? � but he manages the office pretty well. Meyers shows adept comedic timing as well as the ability to handle the dramatic aspects of the function. The supporting actors besides manage to deliver quality performances. Then why does Love remain, y�know, but "pretty decent"? I think information technology�s the script and the execution. There�s simply non much on display that counts every bit especially stiff, as the movie gives us a competent romantic one-act without anything to brand information technology stand out from the crowd. And that�s where Dear remains. Good cast, nice performances, and more three-dimensional characters/story than expected should make information technology a bigger winner than it is. However, while competent, Love simply doesn�t turn into anything especially winning. Footnote: stick around through the end credits for a tag from some supporting characters. | |||
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| How to Make Love to a Woman appears in an aspect ratio of approximately 1.78:i on this single-sided, double-layered DVD; the image has been enhanced for 16X9 televisions. The moving picture came with a competent transfer. Sharpness was acceptable. Wider shots suffered from a moderate amount of softness, simply the overall package remained reasonably accurate and concise. Occasional instances of jaggies and shimmering occurred, and I noticed a piddling edge enhancement as well every bit some full general artifacting. Source flaws stayed small, though; I noticed a few specks but nothing more. With its natural palette, the film�due south colors looked fairly skillful. They could exist a picayune messy at times, but they commonly seemed acceptably full and bright. Blacks appeared reasonably dense and tight, while shadows showed fair to good clarity. Nothing hither impressed, merely the overall impression became perfectly decent. I felt a little disappointed with the Dolby Digital five.i soundtrack of Love, mostly due to execution. The soundscape boasted the expected minor appetite, every bit it didn�t do much to aggrandize the spectrum. The moving-picture show full-bodied on music and full general ambience, without much else to enliven the setting. Environmental activity was about what I expected; vehicles moved from side to side in a decent manner, simply that was about it, and the surrounds only kicked in reinforcement. The soundfield lost points due to problems with localization, especially in terms of music. The songs offered mushy stereo presence; vocals and instruments poured out of all the speakers without any existent logical delineation. Effects also suffered from some bleeding and less than stellar placement. They worked better than the music, but their localization could be erratic. At least audio quality was fine. Speech appeared natural and curtailed, without edginess or other issues. Music seemed fairly full, though some sibilance affected singing. Effects were acceptably authentic and didn�t cause problems. There wasn�t much to this runway, just fifty-fifty then, information technology seemed flawed. A few extras fill out the set. We find Interviews that fill a total of 15 minutes, 14 seconds and requite u.s. notes from Forest Kline, Jenna Jameson, Josh Meyers, Mayday Parade, Ronnie Winter, "Chris and Cove", "Justin, Fellow and Alex", Andrew Volpe and Ryan Central. These alternate between jokiness and nothingness. Most of the folks who announced come from bands who show up in the moving-picture show; they mostly talk nearly how it�southward cool to be in a movie. If anything informative comes along here, I can�t recollect information technology; this compilation offers 15 well-nigh content-free minutes of chat. A collection of Outtakes runs 25 minutes, 21 seconds. "Outtakes" usually implies bloopers or alternating shots, but these are really all deleted/extended scenes. The longer versions of dissimilar sequences tend to ramble, so they work better in their shorter incarnations. As for the actual deleted scenes, those ordinarily make Andy expect like a full doofus; they don�t aid the graphic symbol, so I�m glad they got the boot. A few more substantial $.25 do pop up here. We go to acquire a little more than most some supporting roles; in detail, a thread with Nomi develops meliorate here. While I�yard not sure any of the segments should�ve been in the last cutting, I think this is a good collection; it�due south hard to complain, given the corporeality of unused footage on display. Next nosotros find a Music Video. This offers "Changes in Me" by Lindsay Richards, the actress who plays Nomi in the moving-picture show. Essentially, we just run into a picture segment performance mixed with other moving-picture show clips. The video adds cypher to the package�due south worth. During a 14-minute, 58-second "Making of" Featurette, we hear from executive producer Greg Aronowitz, producers Adam Lawson and Sheri Bryant, director Scott Culver, and manager of photography Dallas Sterling. We larn about the film�s origins and development, cast and performances, various technical bug and other aspects of the production. "Making of" manages to pack a surprising amount of info into its curt running time. Information technology throws out a lot of interesting details and acts equally a good little summary of various flick-making topics. Some ads open the DVD. Nosotros get clips for Addicted to Her Love, American Cowslip: A Redneck Comedy and Four Boxes. The trailer for Dear as well pops up hither. While How to Make Love to a Woman was a sweeter, more than likable experience than I expected, that doesn�t make information technology an especially memorable movie. The flick does many things right but it lacks a sure spark and quality to allow it to get consistently enjoyable and memorable. The DVD comes with acceptable visuals, erratic audio and a small collection of supplements. Love could make for a decent "engagement nighttime" rental simply it�s zippo more worthwhile than that. | |||
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